The nomination is for the recording of composer-musician John Cage’s The 10,000 Things on the MicroFest label with pianists Kallay and Ray, and percussionist Winant, along with a recently discovered recording of Cage himself performing 45’ for a Speaker, the first American recording of this seminal work.
“It took me over a year to learn 26′ 1.1499″ for a String Player– my part in The 10,000 Things– and over the past 10 years it has become one of my favorite pieces to perform,” said Peters, an Altadena resident and Arcadia native. “Along with my colleagues Aron Kallay, Vicki Ray, William Winant and producer John Schneider, the recognition a Grammy nomination provides has been amazing.”
The CD on which the nominated piece can be heard features five pieces by Cage. Each of the four artists on the CD performs one of Cage’s solo works, plus they’ve included a recording of the composer himself reciting his 45’ For A Speaker (1954). All of these works played simultaneously become part of The 10,000 Things, one of the earliest remix pieces, as Cage conceived of it in 1954.
Peters teaches double bass at the Bob Cole Conservatory of Music at CSULB. A bassist, he is an active composer and a performer, performing with Southwest Chamber Music since 1998 and the Long Beach Symphony Orchestra since 1993. He has performed as a soloist with Ensemble Oh-Ton, People Inside Electronics, MicroFest, and the Schindler House, as well as others, and he has been featured on Nordwest Radio in Hamburg, Germany.
“In a high-profile faculty with numerous international achievements, Tom Peters’s Grammy nomination for The 10,000 Things stands out as one of the most impressive,” said Carolyn Bremer, director of the Cole Conservatory. “Tom has been nominated twice before as a member of Southwest Chamber Music. Best Chamber Music/Small Ensemble Performance is a tough category to crack. It isn’t an inconsequential classical category. This is the big time, and he is nominated along with, for example, the recording of last year’s Pulitzer Prize-winning work. This is especially fabulous to me, personally. I am a composer and former bass player. Tom’s exceptional work in new music is a boon to all of us composers, and I am thrilled that we have a bass player of his caliber here at the Cole Conservatory.”
As a composer, Peters specializes in creating music for silent films, performing original scores through looping electronics and synchronized electronic soundscapes. In April 2013, he premiered his original score to the 1927 silent classic The Passion of Joan of Arc– his ninth film score– at the Toronto Silent Film Festival with Joelle Morton on tenor viol. The score was featured in a radio broadcast over the CBC. He also has written music for the John Pennington Dance Group’s Yield of Vision, Podcast and Blow, and Parson’s Nose Theater’s presentations of Everyman and Cendrillon.
He is also a prolific writer and is the Aspie of The Aspie and the NT, a blog written together with his wife, Linda, that documents his life on the autism spectrum as someone diagnosed with Asperger’s Syndrome and its effect on their relationship.